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Courtney Eldridge

Featured Artist: Daniel Ribar

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Name: Daniel Ribar

Age: 23

Hometown: Livonia, Michigan
Current town: Livonia, Michigan/Northern Michigan

Film and/or Digital: I try and bounce back and forth to keep things fresh, but I prefer film.

First camera: An old Polaroid camera I received for my seventh or eighth birthday.
Current camera: Leica R4 35mm and a 7D.

How long have you been taking photographs?
I started shooting my friends skateboarding and messing around in the fifth grade, and I have a bunch or random Polaroids even from before that. But I started to get serious around tenth grade, about eight years ago.

Thoughts about first images ever taken, describe them?
I just processed a roll from seventh grade earlier this year (below). It was really goofy, but neat; a lot of skateboarding stuff, images taken a moment before they should have been, but there’s something kind of interesting about them in that sense.

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What do you see when you look at your work now?
I see a lot of color: that’s something I rely on very heavily now in my work. I started off taking black-and-white photo classes in high school and enjoyed them, but when I started working with color, I started to see images everywhere. I am extremely interested in relationship between colors.

What do you hope others will see, if anything? Their experience?
I’m not really sure what I hope others will see. I guess things that inspire them to explore and enjoy life.

And what do you look for in an image? What makes a great photograph for you?
I really like seeing images that remind you of the world outside your city, state, country or whatever boundary you happen to have. I think it’s really easy to stay in your comfort zone and I love seeing images of places foreign to me. Images that make me want to travel.

Talk about your interest in relationships between colors, the outdoors and travel?
I find myself paying close attention to color when I am back home, downstate in Livonia or Detroit. I don’t have the type of freedom that exists up north and end up shooting a bit more selectively, paying more attention to line and color. Of course I am conscious of colors and their relationships while up north, but I feel that when I’m home, I tend to stick around the same locations and don’t end up exploring as much as I do in the summer. Because I’m not canoeing new rivers or hiking fresh trails, that element of surprise is eliminated. I find myself looking closer at everyday objects and working with cropping much more, as well as color. I feel like this sort of season and location change keeps me in balance.

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Favorite artists?
There are so many great artists out there its hard to hone in on any few but I would say in the past year, Bruno Zhu, Josef Albers and my friend Michael Burdick.

Favorite places online?
I try not to spend too much time on the internet, but I check out the Boooooom site a lot, S M O KE B A T H, as well as the Weather Channel, there are a lot of neat videos on there.

Favorite photographs:
Mike J. Huber, he  keeps me posted on what my friends are doing in the Upper Peninsula; Ryan McGinleyNadav KanderPhil ElverumMichael ten PasBruno Zhu.

Young photographers who most inspire you now?
Most of the people from the list above inspire me very much, but there’s something about someone new to photography that I love. Anytime I’m invited to a birthday party, I bring a disposable camera as a gift and ask to see the images when they process them. I love looking at images shot by someone who has no background with photography, someone who has fresh eyes and no history or influence.

So where do you want to take your photography, or vice versa?
I just want to keep shooting and make more books for myself. I have a few I made last year, but I would love to make a book for each season and have a disc inside of the music I had been listening to at the time, so when I’m older I’ll have shelves full of books documenting my life with music to listen to while looking through them.

Artist’s Playlist: 12 tracks by Bob Dylan, Graham Nash, Built to Spill, Frontier Ruckus, The Microphones, Mount Eerie, The Beatles, Broken Social Scene, Bibio, My Morning Jacket, Smith Westerns, Little Wings, here: Featured Artist: Daniel Ribar

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Talk about the Upper Peninsula, the role Michigan plays in your photography?
A great deal of my work is shot in the northern parts of my home state, Michigan. I have a good friend who lives in the tip of the Upper Peninsula in an old mining town with rivers, lakes and cliff jumps all around him. I also have a cabin of my own about an hour south of the Mackinac bridge in Gaylord, Michigan, where I spend summers and autumns with friends. We have around 100 acres of woods, trails, and a small private lake, so there is a sense of isolation and freedom that really sets my mind at ease.

Friends and I will make trips up that are comprised of dirt bikes, fireworks, guitars, fishing, rifles, swimming, campfires, relaxing and anything else we feel like doing. I have been making these trips my whole life, and at first I started to shoot photos just to document these trips, a lot of very straightforward Polaroid shots of fish that had been caught, or group shots when we first arrived and then before we would leave, just so I would be able to remember who was there at the time. But as the years went on, I started to really use this piece of land as kind of my own large-scale studio. Here, I have the opportunity and freedom to shoot whatever I want to, whether it is a shot as simple as my grandfather’s old axe, sticking into a poplar tree, or something as bold as a friend launching a dirt bike over a mound with another friend firing a rifle in the frame.

The fact that this freedom exists on the property really excites and inspires me and allows me to focus on this love of nature I have along with the love for my friends. I’m trying to capture as many memories as I can, and if others are interested in the images I have captured, I’m honored.

Artist’s links: Website, Flickr, Tumblr, Vimeo

Artist Series: Tatjana Šuškic

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Artist’s links: Flickr, Blog

Featured Artist: Pierre Wayser

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Name: Pierre Wayser

Hometown: Paris, France

Film and/or Digital: Pointless.
First camera: A 1952 Kodak Retina IIa.
Current camera: Any image recorders.

How long have you been taking photographs?
Since I was 12.

Thoughts about first images ever taken, describe them?
It was a goat or a bench, maybe a triumphal arch!

What do you see when you look at your work now?
Photography is just a different quality in blindness.

What do you hope others will see, if anything? Their experience?
See above.

What do you look for in an image? What makes a great photograph for you?
Great images have smelly armpits.

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Favorite artists?
No favorites, but so many are interesting: Otis Redding, Anton Chekhov, Caravaggio, etc.

Favorite places online?
None.

What’s changed, if anything, in your attitude toward photography and your own work over the years?
Since I need reading lenses, I now prefer a camera with a fast autofocus.

Talk about your book Moon Can Do?
After sleeping for more than thirty years, I was suddenly awakened by the brutal death of a certain number of my relatives. So I decided to rewrite a past that was chaotic and confused, dream-readable and well-ordered. To do this, I started from photos I had taken in the early ‘70s. Hidden in a shoe box were the never-printed negatives of my youth. Finally, after several changes or mutations, and leaving out a text (Hypnagogies), I ended up making only a book of photographs, Moon Can Do, in black-and-white with a few contemporary connections.

Artist’s Playlist: 13 tracks by Fairport Convention, Otis Redding, The Undisputed Truth, Durutti Column, Small Faces, Soft Machine, The Pretty Things, The Strawbs, Terry Riley, The Velvet Underground and Brian Eno, here: Featured Artist: Pierre Wayser.

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Artist’s links: Website, Blog, Meta-Holott

Artist Series: Harley Weir

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Artist’s links: Website, Flickr, FilmHUH. Magazine.

Featured Artist: Laura-Lynn Petrick

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Name: Laura-Lynn Petrick

Age: 21 (freshly)

Hometown: Thunder bay, Ontario, Canada
Current town: Toronto, Ontario, Canada

Film and/or Digital: Film, only, ever.
First camera: Yashica fx 3
Current camera: Nikon fm 10/Yashica fx 3

How long have you been taking photographs?
Roughly about six years, besides the old point-and-shoot digitals I used to screw around with when I was a young teen. I started shooting around the age of 16, fiddling around with my grandma’s/dad’s film single-reflex cameras.

Thoughts about first images ever taken, describe them?
They really represented my naïve attitude towards living; they were absent of the perspective and knowledge I have now gained from studying popular culture and city living. But I’m glad they were taken because they really bring me back to my adolescence and growing up in a small town bubble of suburbs, franchises, docile consumption, and the devaluing of creativity. They are comical, full of enthusiasm, and certainly candid.

What do you see when you look at your work now?
I definitely see a sort of aging in process, or a maturation of sorts. The content of my work has changed significantly since my move to Toronto, as I mature and become immersed in a shifting subculture, my work experiences similar changes. I have certainly had to wrap my head around a lot of things I was not exposed to in the boonies of Thunder Bay, from Chinatown after hours to dinosaurs, it’s all new to me. There’s this gradual transformation in my documentation of my surroundings.

What do you hope others will see, if anything? Their experience?
I really hope that others will see how extraordinary life is, through my seemingly simple yet complex photographs. I want them to be invited into my bedroom, workplace, shopping trips, world travels, dates, and crazy nights, and piece it all together to form their own opinions of a contemporary 21-year-old’s lifestyle. Accepting theories of postmodernity with open arms, I hope those who view my work clearly see that these contemporary identities are consistently being reconstructed through different consumptive practices, and notice the immense use of signs and images within all of us. Mainly, I really hope that viewers will see the natural beauty of the mundane state of everyday life.

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What do you look for in an image? What makes a great photograph for you?
I look for mystical colours, reflections, things I’ve never seen before, natural uninterrupted emotions, unique character in the face/body, and a background rich in texture and naturist elements.

Favorite artists?
I love the work of Native mixed-media artist Carl Beam, Basquiat’s skull series, Norval Morriseau’s largescale paintings, and happily thank animator/drawer Matt Groening for the beloved The Simpsons.

Favorite places online?
I must say, I am so behind in the internet right now, I kinda need to catch up on the hot links. But I often read Disturber Mag, The Sartorialist and Street FsN for beautiful clothes. And I’m always on Craigslist and etsy looking for offers and objects to sorta spark my life up temporarily.

Favorite photographs?
I am in cahoots with the photographs of William Eggleston: my favourite is his entitled Los Alamos. I recently bumped into Nan Goldin’s work in my arts class a year ago, and am blown away by her raw imagery. These two images in particular, Smoky Car (New Hampshire, 1979) and Amanda at the Sauna (Hotel Savoy, 1994).

Young photographers who most inspire you now?
I’m always inspired by the work of Samantha Casolaris, seems like she works damn hard, yet her photos are full of grace and timelessness. Also, Luke Byrne’s work is striking and somehow embodies the essence of youth perfectly.

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Talk about the side of your work that deals with drug culture? When did you start taking those photos of your friends and what compelled you to pick up the camera?
I started photographing substances and drugs around the age of 17 or 18. I was interested in documenting drugs in an alternative way from the mediums (film, television, books) most Western teens are influenced by. Mainly, I was frustrated by the dualities found in popular culture’s representation of drugs. There’s the glamorous and romantic representations, which I was always fascinated by, and there’s the addiction/life-ruining ideologies which most youth passionately reject.

In an isolated town, kids sure do get up to no good, so I brought my camera along for the ‘up and down’ journey. It’s hard to know when it’s okay to photograph because sometimes doing drugs can be an intimate and ritualistic experience, and in other more urban spaces it’s normative, social, and ‘exciting’. There have been many instances where my camera was thankfully off-duty for the night. I photograph my friends with drugs because, although they do experiment with different substances, we’re all sane, relaxed, kind, and function well in society, just looking to have fun and temporarily free the mind. I think cannabis culture is fascinating, diverse, natural, and deserves proper, positive representation, so I sure do photograph that a lot. There’s a time and a place for a drug photo, you gotta know when it’s not offensive; it has to be real, unlike what society is consistently spoon-fed.

What is it about the culture that you want to capture at this point in time?
I want to capture the countercultural youth of right now! I want to show how the counterculture is full of talented and artistic people doing great things, loudly breaking the status quo, alternatively using the environment, reappropriating commodities, critiquing the boob tube, skewing femininity, embracing the past, and enjoying modernity. Too often, youth in society are entrapped by the products, brands, and attitudes preached by the media industries, and I want to capture those who are creatively living apart from the mainstream. I’m mainly interested in capturing feeling and the complex relationship between the individual and the drug.

Artist’s Playlist: My playlist (15 tracks by Avant, Cassie, Dexter, Funky Chocolate, Instra:mental, Jacques Greene, Lerosa, M.E., Mosca, Noreaga, Omar S, Pariah, Rick Wilhite and SBTRKT) is meant for those messy, crawling-around-the-streets kinda nights, you can see it here: Garbage Museum.

So where do you want to take your photography, or vice versa?
I really want to be able to be my full-time job. I want to wake up in the mornings and get ready to be a photographer, not anything else. I want to make photography a living, shoot everything I can, I really mean everything from exotic wildlife, my best buds, emerging subcultures, advertisements . . . hell, even for big bad corporations! It’s something I’ll be forever passionate about and I want to make it my lifetime career. I want people to be able to see my in-fluxus perspective of the world through my photographs.

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Artist’s links: Website, Blog, Twitter, YouTube

Artist Series: Lieke Romeijn

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Artist’s links: Website, Flickr, Vimeo

Artist Series: Traysaun Cooley-Dennis

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Artist’s link: Flickr

Artist Series: Lauren Withrow

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From Lauren Withrow’s series “Wanderer.” Artist’s links: Website, Flickr, Blog

New Work: Bruno Postigo

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Congratulations to our friend and contributor Bruno Postigo, who just landed his first photo in Rolling Stone. You can see the Artist Series he shared with us here.

New Work: Reuben Wu

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PIN-UP cover photograph by Reuben Wu, our featured artist on August 27.